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자료유형
학술저널
저자정보
尹勝玟 (韓国外国語大学)
저널정보
한국일본문화학회 일본문화학보 日本文化學報 第83輯
발행연도
2019.11
수록면
345 - 362 (18page)

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Tadakoso appears as the protagonist of the Story of Mamako-ijime in Utsuho-monog atari. Tadakoso became a priest because he was disappointed with the curt attitude of his father, Chikage, who was enticed by his step mother. The volume of Tadakoso, where the stories of Tadakoso are found, is said to be a collection of short narratives in virtue of its structure, but it suddenly becomes a long narrative once the clan of Toshikage appears in the story. After he becomes a priest, Tadakoso comes back to the story as a virtuous priest, but he is soon described as a person who pursues Atemiya for marriage; he is portrayed as a figure whose image is far from close to that of a priest. In order to interpret this discrepancy, it is not sufficient to resort to the view that the writer attracts the readers through the strange story where the virtuous priest fell in love with Atemiya. It would be more appropriate to interpret the story in such a way that the writer intended to shape the nature of humans who suffer, provided that Tadakoso has difficulty in maintaining his ambition as a priest, which suggests that even a virtuous priest struggles with his worry and his conflicting ideas. In this respect, the writer’s intention is related to the molded image of Kaoru and Ukifune in the Tale of Genji, and this is where the molded image of Tadakoso is significant and characteristic.

목차

1. 序
3. 忠こそ物語の成り行きと発展の可能性
3. あて宮求婚者としての忠こそ:高僧と懸想人の両面性
4.『うつほ』から『源氏』へ
5. 終わりに
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