지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This theory intends to discuss modern plastic art utilizing pictures as concrete situation setting or artist's expression tools in actual. However, the theory will be analyzed focused on not media but dual discourse (matter-shape, or ground and its directive objection) which is understood as common principle of art. Based on conceptual side, it is because plastic art is an artistic action as a specific matter first caught by artist is revealed in concrete shape using artistic media. And so plastic art is not a material meaningful word which designates totally all the genres of art, but virtually directive meaningful art in the point of modern post-structuralism in which art is understood as matter-shape principle.
Photos as picture are expression tools for artists to deliver their message, as well as basically such photos intend to reveal the fact of existence which is irrefutable. For example, news photograph-made pictures of Andy Warhol and photobilders of Gerhard Richter were to remerge so as to trace back historical truth with time. Also, their artistic intention is not in critic and aggressive sight but the 'observer's attitude without any prejudice and justification.
On the other hand, pictures as photos intend to recover subjective and personal view which has been excluded for a long time rather than to take neutral position for society and history, and catch internal existence in ordinary case which we haven t discovered yet in collective sight and badly unified view. This ordinary existence can be shown only as plain and old-fashioned form all around because we are always used to social events and justice, neither events nor justice in actual. However, all these things are the only objects which can be remerged in neutral photos.
Neo-pictorialism intends to confuse own area of photos and pictures which have been fixed as one genre for a long time rather than to develop a new genre of photo and picture as real art. As a result, this means that purity (purification) commented by Clement Greenberg is wrong, at the same time this means to recover traditional beauty dropped out by avant-garde.
Also, while pictorialism, at early twentieth century, was regarded as separatist movement, in other word, the straight photos was regarded as loss of aurabased on the historical view, neo-pictorialistes try to express visually visual translation refuting artists personality, unique works and real reflection, that is, to recover 'aura'.
Finally, modern neutral photos, formative photos formed by Germanic Bernd and Hilla Becher, and their followers threw away absolute recording ability and lyrical side of photos, on the other side, they chose ordinary and old-fashioned side contrary to 'poses' and 'events', and showed a side of vacant existence kept on being in ordinary non-time.
Photos as picture are expression tools for artists to deliver their message, as well as basically such photos intend to reveal the fact of existence which is irrefutable. For example, news photograph-made pictures of Andy Warhol and photobilders of Gerhard Richter were to remerge so as to trace back historical truth with time. Also, their artistic intention is not in critic and aggressive sight but the 'observer's attitude without any prejudice and justification.
On the other hand, pictures as photos intend to recover subjective and personal view which has been excluded for a long time rather than to take neutral position for society and history, and catch internal existence in ordinary case which we haven t discovered yet in collective sight and badly unified view. This ordinary existence can be shown only as plain and old-fashioned form all around because we are always used to social events and justice, neither events nor justice in actual. However, all these things are the only objects which can be remerged in neutral photos.
Neo-pictorialism intends to confuse own area of photos and pictures which have been fixed as one genre for a long time rather than to develop a new genre of photo and picture as real art. As a result, this means that purity (purification) commented by Clement Greenberg is wrong, at the same time this means to recover traditional beauty dropped out by avant-garde.
Also, while pictorialism, at early twentieth century, was regarded as separatist movement, in other word, the straight photos was regarded as loss of aurabased on the historical view, neo-pictorialistes try to express visually visual translation refuting artists personality, unique works and real reflection, that is, to recover 'aura'.
Finally, modern neutral photos, formative photos formed by Germanic Bernd and Hilla Becher, and their followers threw away absolute recording ability and lyrical side of photos, on the other side, they chose ordinary and old-fashioned side contrary to 'poses' and 'events', and showed a side of vacant existence kept on being in ordinary non-time.
목차
들어가는 말
Ⅰ. 그림으로서 사진
Ⅱ. 사진으로서 그림
나가는 글
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