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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중국어문학연구회 중국어문학논집 中國語文學論集 第134號
- 발행연도
- 2022.6
- 수록면
- 221 - 241 (21page)
- DOI
- 10.25021/JCLL.2022.6.134.221
이용수
초록· 키워드
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This paper aims to analyze the ideological exchange between Chosŏn intellectuals and Chinese intellectuals, the magazine Kaebyok being recognized as a cultural public forum in the East Asian culture.
After the March 1 Movement, the Japanese colonial policy shifted from unauthorized rule to cultural policy, and as part of the conciliatory policy, it was announced that Koreans were allowed the right to publish newspapers and magazines. Accordingly, Chosŏn intellectuals hoped that the publication of Kaebyok would open a new era of revolution that inherited the spirit of the March 1 Movement.
Kaebyok advocated a new cultural movement for the purpose of reforming the culture of the people and discussed various topics such as modern literature, politics, and social culture.
Chapter 2 examines the effect of Kaebyok on the new cultural movement of Chosŏn. Based on Kaebyok"s preface, I paid attention to the way culture is put to the forefront, and I discussed the meaning of sound, world, and evolution mentioned in the text. The emphasis on awareness and awakening in Kaebyok was to pursue nationalism and develop a national enlightenment movement while Chosŏn advocated a new cultural movement.
Chapter 3 analyzed that Chosŏn intellectuals were paying close attention to China"s literary revolution in the 1920s despite political situations and language limitations, and examined that Chosŏn intellectuals" perception of the world was contemporaneous. At that time, Chosŏn intellectuals who received higher education in Japan and worked on translating works had limitations in recognizing the situation in China through the prism of Japan. Meanwhile, Chosŏn intellectuals got the opportunity to experience firsthand through studying in China and traveling to China, and served as correspondents to deliver news to Kaebyok.
By introducing Hushi"s literary revolution theory, Kaebyok functioned as a cultural forum, and watched the way Chinese intellectuals built knowledge as a modern literary system by developing "new cultural movement" to be reborn as a modern subject.
Why did Chosŏn intellectuals show particular interest in new cultural movement in China? Since Chosŏn was under the influence of China"s Confucian culture in the past, it was thought that China should be denied in order to overcome the colonial situation. Behind it, a sense of psychological solidarity as a oppressed people who were invaded by the empire worked. In addition, it was seen that Chinese intellectuals themselves developed a new Chinese cultural movement to overcome their own tradition.
Kaebyok, as a venue for cultural public debate, called for "fundamental awakening" and renovation and showed the possibility of East Asian intellectuals in Chosŏn and China joining forces together.
After the March 1 Movement, the Japanese colonial policy shifted from unauthorized rule to cultural policy, and as part of the conciliatory policy, it was announced that Koreans were allowed the right to publish newspapers and magazines. Accordingly, Chosŏn intellectuals hoped that the publication of Kaebyok would open a new era of revolution that inherited the spirit of the March 1 Movement.
Kaebyok advocated a new cultural movement for the purpose of reforming the culture of the people and discussed various topics such as modern literature, politics, and social culture.
Chapter 2 examines the effect of Kaebyok on the new cultural movement of Chosŏn. Based on Kaebyok"s preface, I paid attention to the way culture is put to the forefront, and I discussed the meaning of sound, world, and evolution mentioned in the text. The emphasis on awareness and awakening in Kaebyok was to pursue nationalism and develop a national enlightenment movement while Chosŏn advocated a new cultural movement.
Chapter 3 analyzed that Chosŏn intellectuals were paying close attention to China"s literary revolution in the 1920s despite political situations and language limitations, and examined that Chosŏn intellectuals" perception of the world was contemporaneous. At that time, Chosŏn intellectuals who received higher education in Japan and worked on translating works had limitations in recognizing the situation in China through the prism of Japan. Meanwhile, Chosŏn intellectuals got the opportunity to experience firsthand through studying in China and traveling to China, and served as correspondents to deliver news to Kaebyok.
By introducing Hushi"s literary revolution theory, Kaebyok functioned as a cultural forum, and watched the way Chinese intellectuals built knowledge as a modern literary system by developing "new cultural movement" to be reborn as a modern subject.
Why did Chosŏn intellectuals show particular interest in new cultural movement in China? Since Chosŏn was under the influence of China"s Confucian culture in the past, it was thought that China should be denied in order to overcome the colonial situation. Behind it, a sense of psychological solidarity as a oppressed people who were invaded by the empire worked. In addition, it was seen that Chinese intellectuals themselves developed a new Chinese cultural movement to overcome their own tradition.
Kaebyok, as a venue for cultural public debate, called for "fundamental awakening" and renovation and showed the possibility of East Asian intellectuals in Chosŏn and China joining forces together.
목차
1. 서론
2. ‘각성’의 시대 ― 『개벽』의 신문화운동
3. 조선인 시야로 본 중국 5·4 신문화운동과 문학혁명
4. 결론
參考文獻
ABSTRACT
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