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학술저널
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한국셰익스피어학회 Shakespeare Review Shakespeare Review Vol.40 No.4
발행연도
2004.12
수록면
763 - 784 (22page)

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It has been noted that Julius Caesar is one among Shakespeare's most problematic plays. Controversial issues have been raised on who its principle character is and whether Shakespeare thinks of the assassination as reproachable or worthy of applause, etc. Historical approaches to such a controversy are made in terms of the crisis of English society or 'tyrannicide debate'. Their main thrust is to reveal the political meaning of Julius Caesar against a specific historical background. In the political reading of it, a matter of concern converges on the representation of Brutus: his personality, his inner conflict, and his republican faith. Brutus is, as it were, a parameter of interpretation by which we can trace not only the crisis of English society but also Shakespeare's political view.
This paper purports, following in the track of the representation of Brutus, to show that Julius Caesar captures the undercurrent of English history at the conjuncture of the opposition between the Court and the Parliament, the prevalence of social unrest, and diffusive signs of civil war. We begin with highlighting the uniqueness of what Brutus is, and then go over a milieu of Roman world where a republican group stands against would-be Royalists. The middle part of this thesis is a fuller scrutiny of the development of Brustus's inner conflict. Brutus decides to kill Caesar on the assumption that Caesar will be a tyrant, even if he finds no personal cause of the assassination. Nevertheless, Brutus cannot subdue his inner 'insurrection'. The reason for it lies in the fact that the general cause of the assassination has no firm ground such as the support of awakened people. Despite the essential limitation of Brutus's republicanism, the representation of his inner conflict concretizes Shakespeare's ambivalent view on the absolutist monarchy. Furthermore, it may be argued that by making Brutus's stoic attitude salient, the author convinces contemporary English people of the importance of a political philosophy in carrying out a political revolution.

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